Blackmagic Design - Blackmagic URSA Broadcast G2

La nouvelle Blackmagic URSA Broadcast G2 est une caméra ultra puissante conçue pour la diffusion traditionnelle et en ligne. Son design renferme 3 caméras en une pour l’utiliser comme caméra de production 4K, caméra de studio 4K ou caméra de cinéma numérique 6K ! Elle offre un enregistrement sur carte SD standard, carte UHS-II, carte CFast 2.0 ou disque USB externe dans des formats standard, tels que H.265, ProRes et Blackmagic RAW. Vous pouvez même changer sa monture d’objectif. Aucune autre caméra broadcast n’est aussi polyvalente !

• Effective Sensor Size: 2/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm).
• Lens Mount: B4 2/3 inch installed Active EF mount also included.
• Lens Control: Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
• Lens Correction: In-camera correction of color fringing when using compatible broadcast lenses.
• Dynamic Range: 13 Stops.
• Dual Native ISO: 0 dB and 18 dB gain.
• Sensitivity at 0 dB Gain: f11 with 2160p59.94. f12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.
• Signal to Noise Ratio: 64.62 dB for 2160p Ultra HD scaled from 5.3K.
• Built in ND Filters: Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
• Focus: Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
• Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
• Screen Dimensions: 4 inch.
• Screen Type: LCD capacitive touchscreen.
• Controls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
• ProRes Shooting Resolutionsand Frame Rates: - 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3Kwindowed sensor - 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor - 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor - 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3Kwindowed sensor - 1920 x 1080 (HD) up to 50 fps scaled from full sensor.
• H.265 Shooting Resolutionsand Frame Rates: - 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3Kwindowed sensor - 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor.
• H.264 Shooting Resolutionsand Frame Rates: - 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor - 1920 x 1080 (HD) up to 50 fps scaled from full sensor.
• Blackmagic RA W Shooting Resolutionsand Frame Rates: - 6144 x 3456 (6K) up to 50 fps - 6144 x 2560 (6K 2.4:1) up to 60 fps - 5376 x 3024 (5.3K 16:9) up to 60 fps - 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps - 3840 x 2160 (Ultra HD) up to 60 fps - 1920 x 1080 (HD) up to 150 fps.
• Project Frame Rates: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
• Metadata Support: Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Time Code Clock: Highly accurate Time Code clock. Less than 1 frame dri ft every 8 hours.